PHYLLIS MARK: SCULPTURES

LARGE INDOOR SCULPTURE AND RELIEFS
Elongated White Oval. 1966. Plywood painted in acrylic. H 33", W 55". Herbert F. Johnson Museum of Art, Cornell University, inv. 66.069. Gift of Justice and Mrs. Arthur Markewich.
Black Flower Form. 1966. Plywood painted in acrylic. Oval, H 46", W 31". Collection of Nora Blue and Terry Smith.
Black Solar Circle. 1966. Plywood painted in acrylic, lighted under relief. 45" circle.
Black Form Flying. 1966. Plywood painted in acrylic, lighted under relief. 45" circle.
Orange Constellation With Lights. 1966. Plywood painted in acrylic with added lights. H 38", W 34", D 2". Syracuse University Art Galleries, inv. 1967.41.
Shadow Arabesque. About 1970. Polished aluminum in plexiglass setting. Arabesque elements: H 90".
Shadow Totem. 1974. Aluminum. 72" x 14" x 14". Hangs from ceiling.
Shadow Reflections (in Plexiglass setting). 1976. Aluminum (and Plexiglass). Hangs from motor on ceiling. 56" x 14" x 14". Setting: 92" x 22" W x 14" D.
Three sail sculptures. Ca. 1978. Exhibited: Theo Portnoy Gallery, 56 West 57th Street, New York, NY 10019, 1978; Fort Wayne Museum of Art, 1202 W. Wayne Street, Fort Wayne, IN 46804, 1979.
Wind Sieve. 1988. Installation, Improbable Sites, SoHo 20 Gallery, 469 Broome Street, New York, NY. December 1988 - January 1989.
Moon Screen. 1989. Three panels, each 4' x 2'. Aluminum with painted aluminum slats.
Mount Fuji Fountain. 1992. Motorized, painted aluminum wheel, aluminum buckets, galvanized tub, water, detergent, rocks and greenery. Wheel, D. 5.5'. Setting, 10' x 9'. Installation: SoHo 20 Gallery, 469 Broome Street, New York, NY, 1992.

OUTDOOR OR INDOOR SCULPTURE
X-Frame with Hemispheres. 1974. Exhibited, Elaine Benson Gallery, 1974.
Infinite Wall Modules. 1974. Aluminum. Each 14" x 13.5" x 1.25". Installation: Elaine Benson Gallery, 278 Little Noyac Path, Bridgehampton, NY, 1974; RCA Corporation, executive dining room, 30 Rockefeller Center, New York, NY.
Shadow Glide. 1974. Aluminum. Mounted on timed motorized base. Height 72". Base 30" x 30". Exhibited, Elaine Benson Gallery, 1974; Fort Wayne Museum of Art, 1979.
Color Fugue. 1980. Aluminum with painted aluminum slats. 9' x 6' x 5'. Turns with motor or in wind. Exhibited, Theo Portnoy Gallery, New York, NY, 1980.

OUTDOOR
Wind Intervals. 1973. Enameled and stainless steel. Each unit 11' x 3' x 3'. Installation, Roosevelt Island, NY 1978-1986. Photo: 1986.
Sail Structure. 1977. Aluminum with Dacron sails. 9'2" x 6'3" x 5'8". Installation, Fordham University at Lincoln Center, Robert Moses Plaza, 113 West 60th Street, New York, NY, 1977.
Sail Sculpture. 1978. Aluminum with Dacron sails. 9' x 6' x 6'. Installation, Wards Island, NY, 1978-1979.
Land Sail. 1978. Aluminum with Nylon sails. 11' x 6' x 6'. Installation, Wards Island, NY, 1978-1979.
Sail Structure II (aka Gray Shift). 1978. Aluminum with Dacron sails. 9' x 6' x 5.5'. Installation, Wards Island, NY, 1978-1979. Date of photo: June 1978.
Sail Structure III (aka Big Red). 1978. Aluminum with Dacron sails. 9' x 6' x 5.5'. Installation, Wards Island, NY, 1978-1979; Fort Wayne, IN, 1979.
Red Tumble. Aluminum frame with painted aluminum slats. 9' x 9' x 6'. Installation, reflecting pool, US Office of Personnel Management, Eleventh International Sculpture Conference, Washington, DC, 1980; Montgomery Community College, Blue Bell, PA, September 1984 - June 1985.
Land Sail I. 1981. Aluminum with painted aluminum slats. 11' x 7' x 6.5'. Installation, Nabisco Corporate Headquarters (now Mondelēz International Corporate Headquarters), East Hanover, NJ, 1981-1982.
Land Sail II. 1983. Aluminum with painted aluminum slats. Installation, Hofstra University, Daniel L. Monroe Lecture Center, 127 Hofstra University, Hempstead, NY 11549, 1985-1986. Collection, Hoftra University Art Museum, 112 Hofstra University, Hempstead, NY 11549, accession 89.7.
Lawn Peacock. 1984. Aluminum with painted aluminum slats. 12' x 10' x 8.5'. Installation: Muscarelle Museum of Art, College of William & Mary, 1984-1985.
Pyramid Butterfly. 1985. Installation, Fordham University at Lincoln Center, Robert Moses Plaza, 113 West 60th Street, New York, NY, 1985-1986.

TABLE-TOPS AND WALL MOUNTS
Bacchanal. 1968. Anodized aluminum. On motorized base.
Growing Form. 1968. Polished aluminum. Height with motorized base, 22".
Diamond Acrostic. About 1968. Polished aluminum. Height with motorized base, 24". Width 19". Lowe Art Museum, University of Miami. Gift of the artist.
Lunar Forms. 1968. Polished aluminum on black acrylic backing. Motorized base. Diameter 15".
Diagonals. About 1969(?). Polished aluminum. 19" H, including base. Edition of 20.
Mandarin Forms. 1972. Polished aluminum. 14" Diameter. Edition of 50.
Swinging Circle. About 1972. Polished aluminum. Signature stamped into piece. Edition of 200.
Interlocking Forms. About 1973. Polished aluminum. Edition of 50.
Enclosed Ellipse. 1975. Polished aluminum. Diameter 15.5" Edition of 20.
Four Intervals I. 1975. Aluminum. 31" x 22".
Four Intervals II. 1975. Aluminum. 27" x 19".
Wall Series. 1975. Aluminum and plexiglass. Each unit 15.75 x 10.5 x 5 inches.
Speed Intervals. 1978. Polished aluminum, mixed media. Collection David W. Bermant Foundation. Video, Speed Intervals in motion. Videographer Anne Niemetz, ©The David Bermant Foundation 2019.
Bronze Flash. 1978. Muntz metal. 18" x 17".
Pinwheel. About 1978. Polished aluminum. 19" H, including base. Edition of 20.
Octagonal Reflections. 1986. Brass. 19.25" H, including base.